Quilters Threads Newsletter
November 1 2007

http://www.quiltersthreads.com

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Quilter's Threads has just added two pages of Christmas gift ideas. Come and shop with us, no problem finding a parking place! I have a new blog, find out what is new at Quilter'sThreads every few days. RSS feed is available. My blogs

Hints From Diane

 

I am about to take some of you out of your comfort zone, but hear me out. I am going to do a series on quilt embellishment. It will be at least a two part series. For probably 20 years I made pretty traditional quilts with the exception of some of my applique. I went through the natural progression that many quilters have gone through. I made a bed or lap quilt for everybody in my immediate family, then in my extended family, then tons of baby quilts with a table runner or a wall hanging thrown in now and then. About 5 years into the process, my younger daughter asked me who the quilt I was working on was for and I finally answered that is was for me. I had been always making quilts for other people.

Now I still make quilts for other people, but more and more the answer would be that the quilt is for me. "For me" has come to mean, not a quilt for my bed or couch but to stretch my creativity. This came about for 2 main reasons. First of all I am fascinated by all the wonderful threads that suddenly became available, and second I joined a wonderful, nourishing email group of quilters called the Quilt Mavericks who by example encouraged me to try new things., I would like to pass this gift on to you and I hope that you will accept it.

First of all, probably the best gift you could give yourself  is a book called Quilting by Improvisation by VickiPignatelli. I love this book. Even though she is teaching a lot of curved techniques, it is the creative process that she goes through that is important to study.

I would suggest that you start with any small wallhanging. Let's discuss a few interesting things you can do to this.

Thread painting - free motion embroidery - and beads
On of the things I teach my granddaughters when they are learning to quilt is to have a test sandwich available. This is two squares of any light colored fabric with batting in between,. Mine is about 15" square so it is easy to manuveur. When I fill one, I make another one. I keep them for reference. Put a few safety pins in to hold it together. Once you have done a few tests, you can take the pins out as the stitching will secure it. I take a little basket - I love to get these at garage sales and fill it with a few threads that appeal to me, some bright threads, some variegated, some metallics. Print out a coloring book page or use one of your kid's coloring books. There are at least thousands of these pages on the web. I am going to use a picture of a horse foe an example, but it could be anything, the less complicated the better. Before you put your practice sandwich together, take your coloring book page (trace over the lines with a sharpie pen if they are not very dark . Then slip the page under the top square of fabric for your test sandwich and trace the image. In this case you can use any kind of pen as it is just for fun.

Now put your test sandwich together. Pick a thread that you like adn stitch around the outline of your picture. Forget any details, just the basic outline.  If the line  does not have any tight curves, you may be able to do this with your regular presser foot, but let's take a little risk here and put the darning or free motion foot on your machine. Many people drop the feed dogs at this point, I do not. It also depends on your machine. You know how you ust used a pen and fabric  to trace your design, well now you are doing the same thing only the pencil is the needle and thread of your machine and the fabric now has to be the pasrt that is moved in the drawing process as it would be difficult to move the machine around like a pencil. Your results may not look great to you. it is actually more difficult to follow a line than to do it out of your imagination, but remember if this were a real quilt, you would be washing that reference  line out of there so no one would know that you missed following the line at that spot!

OK, now you have the outline. Think about a mane, pick some outrage thread (maybe a metallic for the mane. Now think about how to draw a mane in there. stright lines, zig-zag lines, curved lines, a lot of lines, use your imagination and give it a try. How about doing a tail now? Is your horse on grass, dirt, in bushes, do a few representational squiggles to represent that, use more than one color. NOT BAD! See you will only get better, this is the worst you will be. I want to warn you my drawing is a lot better with my sewing machine than on my computer, but you get the idea.

OK, let's leave the machine and give the guy an eye, a button, beads. a marker? Add eyelashes it you want, horses have nice ones. How about if  this horse is going to be in a parade and there are some beads braided into its mane? Or maybe some flower buttons. No body is going to criticize your choice, see if it works for you. Remember, this one is "for you".

OK, next lesson we will talk about fabric paint. If you want to try another coloring picture go ahead. Another thing to try is to take a nice motif on a fabric and embellish that just the way you just did on the horse picture. I think leaves are particularly fun.

.

Those used to be just green and purple leaves printed on fabric and I outlined them with a very narrow zigzag stitch and added veins. The technique is exactly like described in the horse picture. This embellished applique is used on a jewelry bag.

You can either post pictures of what you did in the forum or send them to me at info@quiltersthreads.com. I will draw two names for one of our little surprises in the mail.

Report from the Houston Quilt Mart

Going to Quilt Mart was an incredible experience. I am so glad that I had a chance to go. My blog contains a report with some pictures. In addition to purchasing some Wonderfil Thread sets as described there, I purchased some great new foil packs and two new patterns. In many cases, i intend to buy many of the products I saw there as I methodically fine tune our inventory.

I was able to meet a few "stars" of the business such as Ricky Tims, Charlotte Warr Anderson and Harriet Hargrave among others. Some I had known before, but it is energizing to talk to these people again. I went to Harriet's first Machine Quilting Celebration several years ago and it was a real impetus in deciding which direction my quilting should take. She was telling me that she has changed the venue from the incredibly beautiful Estes Park to a more easily negotiable hotel location so if any one had hesitated about attending it for that reason, I would encourage you and anyone else to go if you can manage it. What an experience.

Whenever I had a chance I went to the end of the convention center where the displays were hung. I only got through about 1/3 of the quilts, but they were incredibly wonderful.- a lot of the very complex Japanese quilts were hung and having only seen pictures of them before, they were totally amazing to see in person as was Hollis Chatelaine's quilt of Bishop Tutu. All I could think was how impossible judging this group of quilts would be for me.

I asked permission of a couple of friends to include their journal quilts in my blog. One of the conditions of taking pictures there is that the pictures are not used for commercial purposes so i am not including the quilt pictures here in this newsletter. However, i have my own personal albums of the photos that i took at  . I tried to get the artist's name and use it as the name in the file name, but in some cases I was unable to match the picture of the title page that I took with the quilt it went with and I am happy to change it from unknown if someone emails me with the correction.

Journal Quilt by Sarah Smith check out her website,
 http://www.sarahannsmith.com
 

I am sure that you will  enjoy viewing these pictures and I am only sorry that I could not get the whole collection!

This is a picture of Liz Kettle and me at the Wonderfil booth. I really like all the beautiful colors in the background.

On the way back to Washington state from Houston, I stopped to visit my sons in Boulder Colorado. The grandkids are excited about Halloween. (I am writing this on Halloween.) My youngest son (pictured below at his desk in his new office) and I are working together in a design business, Sole Design  I make the great designs my son comes up with work as web sites. If you need a web site, logos or other graphic design work done keep us in mind.

My son in his new office

Let's Talk About Thread

I get quite a few emails and calls asking what thread someone should use. Well, it all depends. There are really no hard rules, but I will be offering this two part series on thread decision making. I have been working on this for some time, giving a lot of thought. Of course, I always love calls to discuss thread choice. Call me at our toll free number if you need an opinion. This chart will be on our web site when I complete it. This is the second half of the chart and a sneak preview. Please remember that this is just a guideline based on my experience and that the recommended products list in each category is just a guideline and not a complete list.
Manufacturer   Name Composition Weight/Ply Spool Sizes Colors Use
Superior Threads   King Tut Cotton, Extra-long Staple Egyptian #40/3 500 2000 yards 75 Colors #90/14 Schmetz Topstitch needle. Very low lint and extra strong. Quilting and piecing.
    Masterpiece Cotton, Extra-long Staple Egyptian #50/2 600 3000 50 Colors Piecing, applique, bobbin, lace. Use a #80/12 Schmetz Topstitch needle.
    So Fine Polyester #50/3 550 3200 Yards 100 Colors Quilting and all-purpose sewing. For longarm and regular machines and for general sewing. It's lint free.
    Nature Colors Polyester, high sheen #40 500 yards 50 Colors Quilting & embroidery Use a #90/14 Schmetz Topstitch needle. Loosen upper tension as necessary.
    Living Colors Polyester, premium high-sheen #40 500 yards 50 Colors Quilting & embroidery. Use a #90/14 Schmetz Topstitch needle. Loosen upper tension as necessary
    Highlights Polyester, premium high-sheen #40 500 2000 yards 36 Colors quilting & embroidery. Use a #90/14 Schmetz Topstitch needle. Loosen upper tension as necessary.
    Rainbow Polyester, premium high-sheen #40 500 2000 yards 50 Colors variegated Quilting & embroidery Use a #90/14 Schmetz Topstitch needle. Loosen upper tension as necessary.
    Bottom Line Polyester #60 1420 3000 yards 50 Colors Embroidery, quilting, binding. Use it on top, on the bottom, for quilt binding, hand applique, machine applique, and more.
    Brytes Polyester #30 275 2200 yards 50 Colors quilting & outlining. Use a #90/14 or #100/16 Schmetz Topstitch needle. Loosen upper tension as necessary.
    Glitter Polyester metallic slivers Hologram and decorative flat thread Sliver 400 3300 yards 24 Colors quilting & embroidery. #90/14 metallic or Topstitch needle. Reduce upper tension to "1". Position spool vertically.
    Halo Metallic Extra thick 550 3600 yards 36 Colors decorative serger & bobbin thread. Use in the loopers of the serger or use for bobbin work. Also makes beautiful quilt backs.
    Metallic Metallic   500
1090 5500 10000
yards
25 Colors quilting & embroidery. Use a #90/14 metallic needle. Reduce upper tension to "1".
    Monopoly Polyester, clear   2400 yards Clear or with smoke tinit quilting, thread painting. Loosen upper tension. Small needle is OK.
    Nite Lite Polyester, heat resistant  40 wt. 500 yards 1 Color Embroidery . Glows all night long, night after night. 6 hour glow time.
    Nite LIte Extra Glow Polyester, heat resistant  30 wt 80 yards 1650 yards 5 Colors Quilting and embroidery. Use a #90/14 Schmetz Topstitch needle.Glows all night long, night after night. 5 colors.
    Perfect Quilter Cotton, mercerized ELS 17 wt. (tex 59) 300
 2500 yards
36 Colors quilting, machine crochet Use a #100/16 Schmetz Topstitch needle.Reduce upper tension to approx. "2".
    PolyQuilter Polyester 19 wt 500  2000 yards 36 Colors quilting, machine crochet.Use a #100/16 Schmetz Topstitch needle.Reduce upper tension to approx. "2".
YLI              
    Colours Cotton, Mercerized Egyptian 30/3 tex, 50 400 yd

2000 yd

2 solids, 10 variegated  
    Machine Quilting Solids Cotton, Long Staple Peruvian 40/3 wt 500  2500 yards 25 Colors  
    Machine Quilting Variegated Cotton, Long Staple Peruvian 40/3 wt 500  2500 yards 48 Colors  
    Quilting Thread Cotton 40 wt 1200 yards 24 Colors  
    Monet Acrylic/Wool Mixture 12 wt 1000 yards 25 Colors Machine Embroidery, gives a softer look 40% wool,60% Acrylic
    Success Serger          
    Silk Silk 1000 on reels   Fine handwork
    Silk Silk 100 200 yards   Handwork, including applique, machine quilting for very fine details`
    Candlelight Metallic metallic 75 125 yards   Metallic yarn like thread, not machine washable
    Fine Metallic Metallic metallic 500 yards 23 colors Strong, fine metallic thread works well on very fast machines
    Wooly Nylon Nylon yarn 1000 yards 104 Colors Slightly fluffy yarn for sergers
    Lingerie and Bobbin Nylon   1200 yards 2 colors very fine thread for delicate fabrics, also used as a bobbin thread
    Wonder Thread Nylon, cleat invisible 1500 yards Clear and smoke tinted Invisible applications
    Jeans Stitch Polyester 30 wt 200 yd 25 solid, 4 variegated Embroidery, decorative stitch
    Elite Premium Serger Polyester 3 ply 1000 yards 40 colors Serging
    Perle Cotton Rayon   100 yards 44 solid colors 5 variegated colors Embellishment, not machine washable
Sulky   Cotton 30 Cotton 30 500 yards 66 colos Embroidery
    Cotton 12 Cotton 12 330 yards 66 colors Embroidery
    Rayon 30 Rayon 30 180 500 yards 102 solids 54 variegated A size14/90 machine needle is most commonly used with Sulky 40 wt. Rayon
    Rayon 40 Rayon 40 250 850 yards 388 colors
A size 12/80 machine needle is most commonly used with Sulky 30 wt. Rayon
    Ultratwist Rayon 40     Discontinued, few left
Madeira   Blackcore, FS 20 Polyester, Metallic 20/2 612 yards 28 colors iridescent, strong thread , for embellishment, embroidery            , quilting
    Polyneon Polyester 40 1000 yards Over 340 colors very durable and smooth running
    Polyneon Polyester 60     for fine embroidery detail or with delicate fabrics
    Cotona Cotton 30/2 220 yards 60 colors fine cotton thread
    Classic 30 Rayon 30 714 yards 180 Colors embroidery
    Classic 40 Rayon 40 1100 yards 423 Colors embroidery
Aurifil   Mako 50 Cotton 50/2 1422 yards 193 Colors Excellent for machine piecing and quilting
Yenmet   Illusion Metallic   1000 meters 11 extra strong metallic thread, principally used for embroidery
    Twilight Metallic Metallic 550 yards 32 colors extra strong metallic thread, principally used for embroidery
DMC   Perle Cotton 12 131 yards 40 colors embroidery, embellishment, crocheting, lace
               

As a quilter of about 60% traditional quilts, if I were limited to 12 threads, last newsletter I listed the ones I would choose. They are in the next table with a white background. Here are 13 more to make 25 threads I would have as essentails

Superior Threads Masterpiece - light beige Vanish water soluble thread
Superior Threads Masterpiece SewArt International invisible thread
Superior Threads Bottom Line natural white or pale yellow One of the Superior Threads Masterpiece purples
Superior Threads Bottom Line sage green (this thread blends beautifully A variegated thread with a selection of colors that I favor when I quilt
Superior Threads So Fine black Superior Threads Glitter Silver Hologram
YLI Silver Blue metallic thread A second variegated thread
SewArt International Smoke Invisible Thread Rainbow or other variegated thread in colors i use
Superior Threads Glitter Gold Hologram Purple Masterpiece thread (or whatever your favorite color)
Superior Threads So Fine or Masterpiece light grey Green 40 wt polyester or cotton thread (not real bright0
White 40 wt polyester or cotton thread Red 40 wt polyester or cotton thread
Metallic thread - gold Madeira black core thread
Dark green 40 wt polyester or cotton thread My personal choice would be 2 more variegated threads because I do free motion embroidery and quilting and I like the look

What would you choose.?

New Contest

Try this contest! Buy a panel of the Norwegian Waterfront Scenes  (or more than one)  from us and develop a way to use it or embellish it. We are selling these panels in cooperation with the artist Eldrid Røyset Førde. We would like you to buy your panels from Eldrid if you are in Europe. Http://www.kameleonquilt.com Michele Potter of Not Just Threads at Potter's Paradise http://www not-just-threads.com is selling them in Canada. Buy the panel from any of us and Quilter's Threads will still send you another panel when you enter the picture of your item in our contest. We are looking for more distributors so if you are interested in selling them for us, please let info@quiltersthreads.com know and we will give you the details

Prizes will be given for the most original use and for the best embellishment.

Once again, when we receive your contest entry picture (email to info@ quiltersthreads.com) we will send you a second panel of your choice free.

First place winners will receive $100 worth of thread or goods from our web site. Second place winners will receive a $20 gift certificate. All entries submitted can be used by Quilter's Threads or Kameleon Quilts in promoting this product.

Pictures should be submitted to info@quiltersthreads.com by December 15.

Fiber Arts Pictures

In January, Quilter's Threads and Not-Just-Threads in Canada will  be announcing a purse/handbag contest. These are a couple of examples to get your creative uices flowing. Amazing aren't they?
Crazy Quilt Purse by Lynn Majidimehr Purse given to me by my son's friend
Water Soluble Thread Impromtpu Contest

Thanks to the many, many readers who suggested that I keep my water soluble thread in a plastic bag to keep it separate from my other threads. People actually stopped me in Houston and gave the plastic bag solution. Two readers had slightly different solutions.

Paula in Colorado suggests:

1. I have placed a dot of white fingernail polish on the bobbins filled with 40wt cotton, a dot of red fingernail polish on the bobbins filled with 60wt embroidery.

2. Then I have 3 of the rubber rings. The red is, of course, reserved for the embroidery thread, the purple for the 40wt cotton and the blue for the 100% poly.

3. What do I do with the fusible and the bottom line and the wash away?

I have a plastic box that is divided into 4 segments. (My new bobbins come in these containers.) I cut a sticky note to fit inside the lid and write the corresponding segment information on it. So on the top right corner of the note it will say fusible and in the back right segment will be the bobbin(s) with fusible. If you need a picture let me know.

Brita suggests:

Here's what I do with my water soluble thread: it is in a plastic baggie, with a large white label attached.  On it, I have printed in large print: SOLUBLE THREAD.  Inside, I have the spool of thread, together with the label and instructions from the bag it came in.  Also, I have a little silica gel packet, that probably came in the box with shoes.  If I have a bobbin with the soluble thread, it will go in the baggie, too

Brita and Paula, watch your mailbox for a little surprise from Quilter's Threads

 

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